Punk Goes Pop Discography
2021年11月17日Download here: http://gg.gg/wx77s
*Punk Goes Pop Albums Song List
*Pop Goes Punk 8
*Punk Goes Pop Discography Download
*Pop Goes Punk 7
*Punk Goes Pop Discography
Punk got a bad rap but these bands shaped history. Learn about the 20 absolute best punk albums of all time and why you should own them already. The Great Indie Discography. Their debut full-length is due in 2010, but based on their previous EPs, we’re in for plenty of upbeat pop punk beats in.10/17/2014
Honestly, this list was quite difficult to compile.
Welcome to thefalloftroyreviews! I am Jerod and to honor the sixth installment in the “Punk Goes Pop” series and the sixteenth installment in the Punk Goes… discography, I have created a list of the top 10 covers from the “Punk Goes Pop” series. If you don’t already know, Punk Goes… is a Fearless Records series of albums which compile covers of a specific genre of music by “punk” bands. “Punk” is, according to the Punk Goes… roster thus far, an umbrella term for emo, rock, pop punk, post-hardcore, metalcore, and POP music. Either way, listening to familiar scene bands cover and occasionally patronize the original artists is all in good fun and should be an interesting, humorous, or amusing listen…Right? NOPE. This list was hard to compile because I had to pick through 5 hours worth of tedious, run-of-the-mill renditions of originally decent songs. Some of the covers were so lifeless, I thought that some of the bands were being held hostage and forced to record them. Worse, almost every band had the same formulaic approach at bringing the radio hits to the mosh pits. The formula: Verses – unclean vocals, Chorus – high-pitched crooning, Bridge – unclean vocals and breakdown. The Punk Goes… bands that deviated from that formula did one worse, they covered the song in the same fashion that it was originally performed without adding any personality or flare. The covers that made this list were chosen by their appeal, personality, and deviation from or improvement on the original song. Enjoy!
Note: Sorry for the typos, etc., but I’m not exactly getting paid for creating any content on this blog.
———————————————————————————————————————————————————-10. “I Want It That Way” – Dynamite Boy
Originally by Backstreet Boys (from “Millennium,” 1999)
Actual Genre: Pop Punk
Dynamite Boy, a fairly-underrated pop punk outfit, add 1990’s Warped Tour-inspired angst to this beloved Backstreet Boys hit. Who knew that all this song needed was some guitar-shredding and dull gang vocals to bring joy to somebody’s ears?
Available on “Punk Goes Pop”9. “Need You Now” – Sparks the Rescue
Originally by Lady Antebellum (from “Need You Now,” 2010)
Actual Genre: Pop Punk
Sparks the Rescue, a rather unsuccessful Fearless band, brings a little life to this prominent country trio’s slow-burning ballad by replacing acoustic guitar strumming with fast electronic rock tuning (akin to Minus the Bear’s music) and lethargic vocal harmonies with Alex Roy’s high-pitched powerhouse vocals.
Available on “Punk Goes Pop: Volume 3”8. “F**K You!” – Sleeping with Sirens
Originally by CeeLo Green (from “The Lady Killer,” 2010)
Actual Genre: Post-hardcore
Sleeping with Sirens frontman Kellin Quinn’s familiar scene-defining clean vocals, snot-nosed angst, and off-kilter breakdown took this cover of CeeLo’s 2010 chart-topper to the forefront of scene music and drew some attention to the Punk Goes… series.
Available on “Punk Goes Pop: Volume 4”7. “Everywhere” – Yellowcard
Originally by Michelle Branch (from “The Spirit Room,” 2001)
Actual Genre: Pop Punk
Yellowcard is arguably the early-2000’s pop punk pioneers and, in my opinion, everything they play turns to pop punk gold, including Michelle Branch’s stalker-appreciating hit.
Available on “Punk Goes Pop”6. “Little Lion Man” – Tonight Alive
Originally by Mumford & Sons (from “Sigh No More,” 2009)
Actual Genre: Pop Punk
With Jenna McDougall’s powerful vocals (comparable to that of Paramore’s Hayley Williams) and a speedy progressive rock instrumental, Tonight Alive brings this folk tune to life with great ferocity–making it an obvious choice for this list and one of the first truly great covers to grace the “Punk Goes Pop” track listing and our ears.
Available on “Punk Goes Pop: Volume 4”5. “Bulletproof” – Family Force 5
Originally by La Roux (from “La Roux,” 2009)
Actual Genre: Crunk Rock
These Christian crunk rockers surprised me with this La Roux cover. Former Family Force 5 frontman Solomon Olds, a.k.a. Soul Glow Activatur, brings impressive Julian Casablancas-esque vocals to the table allowing them to sound like The Strokes with a baseline and some catchy fluctuating electronics. This is not only one of the better covers featured on a “Punk Goes Pop” effort, but this is also one of the best songs that Family Force 5 has ever released.
Available on “Punk Goes Pop: Volume 3”4. “Flagpole Sitta” – Chiodos
Originally by Harvey Danger (from “Where have all the merrymakers gone?,” 1997)
Actual Genre: Post-hardcore
Chiodos resurrected this angsty, lo-fi, dead-on-arrival ’90’s hit with frontman Craig Owens’ unnerving ramblings and unclean vocals in the verses; they faithfully foil it with the ebullient and welcoming sing-along chorus.
Available on “Punk Goes Pop: Volume 2”3. “Send Me an Angel” – Thrice
Originally by Real Life (from “Heartland,” 1983)
Actual Genre: Post-hardcore
Post-hardcore favorites, Thrice, convert this 1980’s synthesized pop single into 21st century hard rock with ease.
Available on “Punk Goes Pop”2. “Love Song” – Four Year Strong
Originally by Sara Bareilles (from “Little Voice,” 2007)
Actual Genre: Post-hardcore
The melodic hardcore stylings of Four Year Strong personalize this over-played track and make it a refreshing listen once again in a world where A Day to Remember is popular.
Available on “Punk Goes Pop: Volume 2”Honorable Mentions
“Runaway” feat. Camm Hunter (of Down with Webster) – Silverstein (from “Punk Goes Pop: Volume 4”)
Originally by Kanye West feat. Pusha T (from “My Beautiful Dark Twisted Fantasy,” 2010)
Actual Genre: Post-hardcore, Emo
“The biggest credit should go to Silverstein for their brave undertaking of the whole 8 minutes of Kanye West’s ‘Runaway’ pop epic and manage to come away unscathed with a very decent stand-alone track.” – James Berclaz-Lewis, Alter the Press!
“Love the Way You Lie” – A Skylit Drive (from “Punk Goes Pop: Volume 4”)
Originally by Eminem feat. Rihanna (from “Recovery,” 2010)
Actual Genre: Post-hardcore
“It’s a thorough version that displays the same emotional depth as the original, but their heavy, layered guitars and vocal harmonies make it sound fresh. They’ve also kept the original piano melody underneath while varying the song’s dynamics throughout without it sounding confused.” – Candi H, AltSounds
“You Belong with Me” – For All Those Sleeping (from “Punk Goes Pop: Volume 4”)
Originally by Taylor Swift (from “Fearless,” 2008)
Actual Genre: Post-hardcore, Metalcore
“Unless you’re a fan of[For All Those Sleeping] then make sure you’re familiar with the location of your skip button” – Zach Redrup, Dead Press
“I Kissed a Girl” – Attack Attack! (from “Punk Goes Pop: Volume 2”)
Originally by Katy Perry (from “One of the Boys,” 2008)
Actual Genre: Crabcore, Electronicore
“Sticks too close to the source material for comfort, resulting in an album that mixes robotic, Auto-Tuned vocals with guttural screams.” – Andrew Leahey, Allmusic
“Ass Back Home” – SECRETS (from “Punk Goes Pop: Volume 5”)
Originally by Gym Class Heroes (from “The Papercut Chronicles II,” 2011)
Actual Genre: Post-hardcore
“The treatment of[Gym Class Heroes’] track “Ass Back Home” off last year’s excellent The Papercut Chronicles II is a little sub-par given the quality of the original.” – Grace Duffy, Under the Gun1. “Toxic” – A Static Lullaby
Originally by Britney Spears (from “In the Zone,” 2004)
Actual Genre: Hardcore PunkPunk Goes Pop Albums Song List
Covering Britney Spears’ “Toxic” was the best choice that A Static Lullaby made in their whole career. This cover is not only easily the best cover from the Punk Goes… series, but it’s also the best A Static Lullaby song and a song that makes the underrated metalcore act worth remembering.
Available on “Punk Goes Pop: Volume 2”
——————————————————————————————————————————————————————
Listen to this list on Spotify here.Pop Goes Punk 8
Click on the album covers to go to iTunes.
What did you think of this list? Why?
A textbook of applied physics by a k jha pdf file download. What songs keep you tuned into mainstream pop station? I really want to hear your opinion (liking and commenting helps out more than you think!)
Be sure to read more at https://thecollapseoftroy.wordpress.com/
Previous Post: 10/11 Quick Update [Austin City Limits Music Festival 2014]
Next Post: Quick Update 10/19 [I’M ILL. *INSERT EBOLA JOKE HERE*]
Previous List: 12 Reasons to Switch to Your Pop Station
Next List: Top 10 Childish Gambino Songs
And make sure to follow us with your e-mail or WordPress account!
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thefalloftroy
More to Come.[Jerod]Punk Goes Pop Vol. 7Compilation album by ReleasedJuly 14, 2017RecordedVariousGenreLength49:00LabelFearlessProducerVarious’Punk Goes..’ chronologyPunk Goes Christmas: Deluxe Edition
(2015)Punk Goes Pop Vol. 7
(2017)Punk Goes Acoustic Vol. 3
(2019)Singles from Punk Goes Pop Vol. 7
*’That’s What I Like’
Released: June 1, 2017
*’Can’t Feel My Face’
Released: June 22, 2017
*’When We Were Young’
Released: July 14, 2017
*’Love Yourself’
Released: July 19, 2017
Punk Goes Pop Vol. 7 is the eighteenth compilation album in the Punk Goes.. series by Fearless Records and the seventh installment in the Punk Goes Pop franchise. The album contains mainstream pop songs covered by thirteen bands from the pop punk, post-hardcore, metalcore, and alternative rock scenes. It was released via Fearless on July 14, 2017.[1]Background and release[edit]
On May 31, 2017, the Punk Goes..Facebook page went dark speculating that a new Punk Goes.. album was on the way. Nobody knew it was going to be a new Punk Goes Pop album until a day later. On June 1, 2017 it was announced on all social media and the official Punk Goes.. website that Punk Goes Pop Vol. 7 would be announced as the new album of 2017. This was the first new Punk Goes.. album in three years the last being Punk Goes Pop Vol. 6 back in 2014. Upon the announcement of Punk Goes Pop Vol. 7 Fearless Records also released the first single off the album a cover of That’s What I Like originally by Bruno Mars performed by American rock band Dance Gavin Dance. The album was released on July 14, 2017 on Apple Music. It was also available for streaming on the Fearless Records YouTube channel on the same day. The album debuted at number 79 on the Billboard 200 and at number 12 on the US Top Alternative Albums charts.Punk Goes Pop Discography DownloadSingles[edit]
Since the release of Punk Goes Pop Vol. 7 the album has spawned four singles. The first which was released in promotion of the album was Dance Gavin Dance’s cover of That’s What I Like originally performed by Bruno Mars, it was released on June 1, 2017 alongside the announcement of the Punk Goes Pop Vol. 7, it was accompanied by a music video. The second single to be released off the album was The Amity Affliction’s cover of Can’t Feel My Face originally performed by The Weeknd, it was released on June 22, 2017. It was also accompanied by a music video depicting zombie teenagers walking around eating people in a school and a group of people trying to kill them. The band is seen playing on a stage in what seems to be an auditorium of the school and they also have become zombies. The third single to be released off the album was Andy Black and his wife Juliet Simms’s cover of When We Were Young originally performed by Adele, it was released on July 14, 2017 in celebration of the release of Punk Goes Pop Vol. 7. It was also accompanied by a music video depicting Andy and his wife Juliet in a black and white movie singing a duet of When We Were Young. The fourth single to be released off the album was Grayscale’s cover of Love Yourself originally performed by Justin Bieber, it was released on July 19, 2017 after the official release of Punk Goes Pop Vol. 7. The song’s music video depicts teens singing in front of the band. As the band sings each of the audience members writes various flaws on each other’s body with sticky notes. After that they are blown away by the lead singer of Grayscale with a leaf blower and the audience begins to dance around. At the end all the teens stick the notes to a wall creating a pattern of sorts. The meaning behind the video is to be yourself and don’t let little things get to you and to love yourself for what you are not by what others think.Pop Goes Punk 7Track listing[edit]#TitleArtist(s)Original artist(s)Length1.’Stitches’STATE CHAMPSShawn Mendes3:032.’That’s What I Like’Dance Gavin DanceBruno Mars3:273.’Gangsta’New Years DayKehlani3:544.’Can’t Feel My Face’The Amity AfflictionThe Weeknd3:215.’When We Were Young’Andy Black featuring Juliet SimmsAdele4:456.’Love Yourself’GrayscaleJustin Bieber3:267.’Fake Love’CapsizeDrake3:108.’Heathens’Boston ManorTwenty One Pilots3:469.’Shape of You’Eat Your Heart OutEd Sheeran3:5610.’Let It Go’The Plot in YouJames Bay4:1911.’I Don’t Wanna Live Forever’Ice Nine KillsZAYN and Taylor Swift4:2412.’Closer’SeawayThe Chainsmokers featuring Halsey4:1213.’In the Name of Love’Too Close to TouchMartin Garrix and Bebe Rexha3:17Sampler Track listing[edit]
Punk Goes Pop Vol. 7 also included a bonus sampler CD featuring previous released songs from the bands and artists signed to the label.#TitleArtistAlbumLength1.’Lifelines’I PrevailLifelines3:212.’Picture Day’The White NoiseAM/PM3:213.’Beautiful Things’GrayscaleAdornment4:164.’Drag Me Down’Eat Your Heart OutCarried Away EP2:275.’Kept’MovementsOutgrown Things EP2:276.’Call Me Disaster’MilestonesEqual Measures EP3:157.’Stitch’Wage WarDeadweight3:268.’Riot’My Enemies & IThe Beast Inside3:279.’Feels Good’VolumesDifferent Animals3:5010.’Make It Hurt’Sworn InAll Smiles3:4411.’Escapist’Oceans Ate AlaskaHikari4:18Charts and release history[edit]
ChartsChart (2017)Peak
positionAustralian Albums (ARIA)[2]10US Billboard 200[3]79US Top Alternative Albums (Billboard)[4]12US Top Rock Albums (Billboard)[5]15
Release historyRegionDateFormatWorld WideJuly 14, 2017CD, digitalReferences[edit]
*^’Punk Goes Pop, Vol. 7 by Various Artists on Apple Music’. iTunes. Retrieved July 14, 2017.
*^’ARIA Australian Top 50 Albums’. Australian Recording Industry Association. 24 July 2017. Retrieved 22 July 2017.
*^’Various artists Chart History (Billboard 200)’. Billboard. Retrieved July 25, 2017.
*^’Various artists Chart History (Top Alternative Albums)’. Billboard. Retrieved July 25, 2017.
*^’Various artists Chart History (Top Rock Albums)’. Billboard. Retrieved July 25, 2017.Punk Goes Pop DiscographyRetrieved from ’https://en.wikipedia.org/w/index.php?title=Punk_Goes_Pop_Vol._7&oldid=1006764164’
Download here: http://gg.gg/wx77s
https://diarynote.indered.space
*Punk Goes Pop Albums Song List
*Pop Goes Punk 8
*Punk Goes Pop Discography Download
*Pop Goes Punk 7
*Punk Goes Pop Discography
Punk got a bad rap but these bands shaped history. Learn about the 20 absolute best punk albums of all time and why you should own them already. The Great Indie Discography. Their debut full-length is due in 2010, but based on their previous EPs, we’re in for plenty of upbeat pop punk beats in.10/17/2014
Honestly, this list was quite difficult to compile.
Welcome to thefalloftroyreviews! I am Jerod and to honor the sixth installment in the “Punk Goes Pop” series and the sixteenth installment in the Punk Goes… discography, I have created a list of the top 10 covers from the “Punk Goes Pop” series. If you don’t already know, Punk Goes… is a Fearless Records series of albums which compile covers of a specific genre of music by “punk” bands. “Punk” is, according to the Punk Goes… roster thus far, an umbrella term for emo, rock, pop punk, post-hardcore, metalcore, and POP music. Either way, listening to familiar scene bands cover and occasionally patronize the original artists is all in good fun and should be an interesting, humorous, or amusing listen…Right? NOPE. This list was hard to compile because I had to pick through 5 hours worth of tedious, run-of-the-mill renditions of originally decent songs. Some of the covers were so lifeless, I thought that some of the bands were being held hostage and forced to record them. Worse, almost every band had the same formulaic approach at bringing the radio hits to the mosh pits. The formula: Verses – unclean vocals, Chorus – high-pitched crooning, Bridge – unclean vocals and breakdown. The Punk Goes… bands that deviated from that formula did one worse, they covered the song in the same fashion that it was originally performed without adding any personality or flare. The covers that made this list were chosen by their appeal, personality, and deviation from or improvement on the original song. Enjoy!
Note: Sorry for the typos, etc., but I’m not exactly getting paid for creating any content on this blog.
———————————————————————————————————————————————————-10. “I Want It That Way” – Dynamite Boy
Originally by Backstreet Boys (from “Millennium,” 1999)
Actual Genre: Pop Punk
Dynamite Boy, a fairly-underrated pop punk outfit, add 1990’s Warped Tour-inspired angst to this beloved Backstreet Boys hit. Who knew that all this song needed was some guitar-shredding and dull gang vocals to bring joy to somebody’s ears?
Available on “Punk Goes Pop”9. “Need You Now” – Sparks the Rescue
Originally by Lady Antebellum (from “Need You Now,” 2010)
Actual Genre: Pop Punk
Sparks the Rescue, a rather unsuccessful Fearless band, brings a little life to this prominent country trio’s slow-burning ballad by replacing acoustic guitar strumming with fast electronic rock tuning (akin to Minus the Bear’s music) and lethargic vocal harmonies with Alex Roy’s high-pitched powerhouse vocals.
Available on “Punk Goes Pop: Volume 3”8. “F**K You!” – Sleeping with Sirens
Originally by CeeLo Green (from “The Lady Killer,” 2010)
Actual Genre: Post-hardcore
Sleeping with Sirens frontman Kellin Quinn’s familiar scene-defining clean vocals, snot-nosed angst, and off-kilter breakdown took this cover of CeeLo’s 2010 chart-topper to the forefront of scene music and drew some attention to the Punk Goes… series.
Available on “Punk Goes Pop: Volume 4”7. “Everywhere” – Yellowcard
Originally by Michelle Branch (from “The Spirit Room,” 2001)
Actual Genre: Pop Punk
Yellowcard is arguably the early-2000’s pop punk pioneers and, in my opinion, everything they play turns to pop punk gold, including Michelle Branch’s stalker-appreciating hit.
Available on “Punk Goes Pop”6. “Little Lion Man” – Tonight Alive
Originally by Mumford & Sons (from “Sigh No More,” 2009)
Actual Genre: Pop Punk
With Jenna McDougall’s powerful vocals (comparable to that of Paramore’s Hayley Williams) and a speedy progressive rock instrumental, Tonight Alive brings this folk tune to life with great ferocity–making it an obvious choice for this list and one of the first truly great covers to grace the “Punk Goes Pop” track listing and our ears.
Available on “Punk Goes Pop: Volume 4”5. “Bulletproof” – Family Force 5
Originally by La Roux (from “La Roux,” 2009)
Actual Genre: Crunk Rock
These Christian crunk rockers surprised me with this La Roux cover. Former Family Force 5 frontman Solomon Olds, a.k.a. Soul Glow Activatur, brings impressive Julian Casablancas-esque vocals to the table allowing them to sound like The Strokes with a baseline and some catchy fluctuating electronics. This is not only one of the better covers featured on a “Punk Goes Pop” effort, but this is also one of the best songs that Family Force 5 has ever released.
Available on “Punk Goes Pop: Volume 3”4. “Flagpole Sitta” – Chiodos
Originally by Harvey Danger (from “Where have all the merrymakers gone?,” 1997)
Actual Genre: Post-hardcore
Chiodos resurrected this angsty, lo-fi, dead-on-arrival ’90’s hit with frontman Craig Owens’ unnerving ramblings and unclean vocals in the verses; they faithfully foil it with the ebullient and welcoming sing-along chorus.
Available on “Punk Goes Pop: Volume 2”3. “Send Me an Angel” – Thrice
Originally by Real Life (from “Heartland,” 1983)
Actual Genre: Post-hardcore
Post-hardcore favorites, Thrice, convert this 1980’s synthesized pop single into 21st century hard rock with ease.
Available on “Punk Goes Pop”2. “Love Song” – Four Year Strong
Originally by Sara Bareilles (from “Little Voice,” 2007)
Actual Genre: Post-hardcore
The melodic hardcore stylings of Four Year Strong personalize this over-played track and make it a refreshing listen once again in a world where A Day to Remember is popular.
Available on “Punk Goes Pop: Volume 2”Honorable Mentions
“Runaway” feat. Camm Hunter (of Down with Webster) – Silverstein (from “Punk Goes Pop: Volume 4”)
Originally by Kanye West feat. Pusha T (from “My Beautiful Dark Twisted Fantasy,” 2010)
Actual Genre: Post-hardcore, Emo
“The biggest credit should go to Silverstein for their brave undertaking of the whole 8 minutes of Kanye West’s ‘Runaway’ pop epic and manage to come away unscathed with a very decent stand-alone track.” – James Berclaz-Lewis, Alter the Press!
“Love the Way You Lie” – A Skylit Drive (from “Punk Goes Pop: Volume 4”)
Originally by Eminem feat. Rihanna (from “Recovery,” 2010)
Actual Genre: Post-hardcore
“It’s a thorough version that displays the same emotional depth as the original, but their heavy, layered guitars and vocal harmonies make it sound fresh. They’ve also kept the original piano melody underneath while varying the song’s dynamics throughout without it sounding confused.” – Candi H, AltSounds
“You Belong with Me” – For All Those Sleeping (from “Punk Goes Pop: Volume 4”)
Originally by Taylor Swift (from “Fearless,” 2008)
Actual Genre: Post-hardcore, Metalcore
“Unless you’re a fan of[For All Those Sleeping] then make sure you’re familiar with the location of your skip button” – Zach Redrup, Dead Press
“I Kissed a Girl” – Attack Attack! (from “Punk Goes Pop: Volume 2”)
Originally by Katy Perry (from “One of the Boys,” 2008)
Actual Genre: Crabcore, Electronicore
“Sticks too close to the source material for comfort, resulting in an album that mixes robotic, Auto-Tuned vocals with guttural screams.” – Andrew Leahey, Allmusic
“Ass Back Home” – SECRETS (from “Punk Goes Pop: Volume 5”)
Originally by Gym Class Heroes (from “The Papercut Chronicles II,” 2011)
Actual Genre: Post-hardcore
“The treatment of[Gym Class Heroes’] track “Ass Back Home” off last year’s excellent The Papercut Chronicles II is a little sub-par given the quality of the original.” – Grace Duffy, Under the Gun1. “Toxic” – A Static Lullaby
Originally by Britney Spears (from “In the Zone,” 2004)
Actual Genre: Hardcore PunkPunk Goes Pop Albums Song List
Covering Britney Spears’ “Toxic” was the best choice that A Static Lullaby made in their whole career. This cover is not only easily the best cover from the Punk Goes… series, but it’s also the best A Static Lullaby song and a song that makes the underrated metalcore act worth remembering.
Available on “Punk Goes Pop: Volume 2”
——————————————————————————————————————————————————————
Listen to this list on Spotify here.Pop Goes Punk 8
Click on the album covers to go to iTunes.
What did you think of this list? Why?
A textbook of applied physics by a k jha pdf file download. What songs keep you tuned into mainstream pop station? I really want to hear your opinion (liking and commenting helps out more than you think!)
Be sure to read more at https://thecollapseoftroy.wordpress.com/
Previous Post: 10/11 Quick Update [Austin City Limits Music Festival 2014]
Next Post: Quick Update 10/19 [I’M ILL. *INSERT EBOLA JOKE HERE*]
Previous List: 12 Reasons to Switch to Your Pop Station
Next List: Top 10 Childish Gambino Songs
And make sure to follow us with your e-mail or WordPress account!
And on twitter and Spotify.
thefalloftroy
More to Come.[Jerod]Punk Goes Pop Vol. 7Compilation album by ReleasedJuly 14, 2017RecordedVariousGenreLength49:00LabelFearlessProducerVarious’Punk Goes..’ chronologyPunk Goes Christmas: Deluxe Edition
(2015)Punk Goes Pop Vol. 7
(2017)Punk Goes Acoustic Vol. 3
(2019)Singles from Punk Goes Pop Vol. 7
*’That’s What I Like’
Released: June 1, 2017
*’Can’t Feel My Face’
Released: June 22, 2017
*’When We Were Young’
Released: July 14, 2017
*’Love Yourself’
Released: July 19, 2017
Punk Goes Pop Vol. 7 is the eighteenth compilation album in the Punk Goes.. series by Fearless Records and the seventh installment in the Punk Goes Pop franchise. The album contains mainstream pop songs covered by thirteen bands from the pop punk, post-hardcore, metalcore, and alternative rock scenes. It was released via Fearless on July 14, 2017.[1]Background and release[edit]
On May 31, 2017, the Punk Goes..Facebook page went dark speculating that a new Punk Goes.. album was on the way. Nobody knew it was going to be a new Punk Goes Pop album until a day later. On June 1, 2017 it was announced on all social media and the official Punk Goes.. website that Punk Goes Pop Vol. 7 would be announced as the new album of 2017. This was the first new Punk Goes.. album in three years the last being Punk Goes Pop Vol. 6 back in 2014. Upon the announcement of Punk Goes Pop Vol. 7 Fearless Records also released the first single off the album a cover of That’s What I Like originally by Bruno Mars performed by American rock band Dance Gavin Dance. The album was released on July 14, 2017 on Apple Music. It was also available for streaming on the Fearless Records YouTube channel on the same day. The album debuted at number 79 on the Billboard 200 and at number 12 on the US Top Alternative Albums charts.Punk Goes Pop Discography DownloadSingles[edit]
Since the release of Punk Goes Pop Vol. 7 the album has spawned four singles. The first which was released in promotion of the album was Dance Gavin Dance’s cover of That’s What I Like originally performed by Bruno Mars, it was released on June 1, 2017 alongside the announcement of the Punk Goes Pop Vol. 7, it was accompanied by a music video. The second single to be released off the album was The Amity Affliction’s cover of Can’t Feel My Face originally performed by The Weeknd, it was released on June 22, 2017. It was also accompanied by a music video depicting zombie teenagers walking around eating people in a school and a group of people trying to kill them. The band is seen playing on a stage in what seems to be an auditorium of the school and they also have become zombies. The third single to be released off the album was Andy Black and his wife Juliet Simms’s cover of When We Were Young originally performed by Adele, it was released on July 14, 2017 in celebration of the release of Punk Goes Pop Vol. 7. It was also accompanied by a music video depicting Andy and his wife Juliet in a black and white movie singing a duet of When We Were Young. The fourth single to be released off the album was Grayscale’s cover of Love Yourself originally performed by Justin Bieber, it was released on July 19, 2017 after the official release of Punk Goes Pop Vol. 7. The song’s music video depicts teens singing in front of the band. As the band sings each of the audience members writes various flaws on each other’s body with sticky notes. After that they are blown away by the lead singer of Grayscale with a leaf blower and the audience begins to dance around. At the end all the teens stick the notes to a wall creating a pattern of sorts. The meaning behind the video is to be yourself and don’t let little things get to you and to love yourself for what you are not by what others think.Pop Goes Punk 7Track listing[edit]#TitleArtist(s)Original artist(s)Length1.’Stitches’STATE CHAMPSShawn Mendes3:032.’That’s What I Like’Dance Gavin DanceBruno Mars3:273.’Gangsta’New Years DayKehlani3:544.’Can’t Feel My Face’The Amity AfflictionThe Weeknd3:215.’When We Were Young’Andy Black featuring Juliet SimmsAdele4:456.’Love Yourself’GrayscaleJustin Bieber3:267.’Fake Love’CapsizeDrake3:108.’Heathens’Boston ManorTwenty One Pilots3:469.’Shape of You’Eat Your Heart OutEd Sheeran3:5610.’Let It Go’The Plot in YouJames Bay4:1911.’I Don’t Wanna Live Forever’Ice Nine KillsZAYN and Taylor Swift4:2412.’Closer’SeawayThe Chainsmokers featuring Halsey4:1213.’In the Name of Love’Too Close to TouchMartin Garrix and Bebe Rexha3:17Sampler Track listing[edit]
Punk Goes Pop Vol. 7 also included a bonus sampler CD featuring previous released songs from the bands and artists signed to the label.#TitleArtistAlbumLength1.’Lifelines’I PrevailLifelines3:212.’Picture Day’The White NoiseAM/PM3:213.’Beautiful Things’GrayscaleAdornment4:164.’Drag Me Down’Eat Your Heart OutCarried Away EP2:275.’Kept’MovementsOutgrown Things EP2:276.’Call Me Disaster’MilestonesEqual Measures EP3:157.’Stitch’Wage WarDeadweight3:268.’Riot’My Enemies & IThe Beast Inside3:279.’Feels Good’VolumesDifferent Animals3:5010.’Make It Hurt’Sworn InAll Smiles3:4411.’Escapist’Oceans Ate AlaskaHikari4:18Charts and release history[edit]
ChartsChart (2017)Peak
positionAustralian Albums (ARIA)[2]10US Billboard 200[3]79US Top Alternative Albums (Billboard)[4]12US Top Rock Albums (Billboard)[5]15
Release historyRegionDateFormatWorld WideJuly 14, 2017CD, digitalReferences[edit]
*^’Punk Goes Pop, Vol. 7 by Various Artists on Apple Music’. iTunes. Retrieved July 14, 2017.
*^’ARIA Australian Top 50 Albums’. Australian Recording Industry Association. 24 July 2017. Retrieved 22 July 2017.
*^’Various artists Chart History (Billboard 200)’. Billboard. Retrieved July 25, 2017.
*^’Various artists Chart History (Top Alternative Albums)’. Billboard. Retrieved July 25, 2017.
*^’Various artists Chart History (Top Rock Albums)’. Billboard. Retrieved July 25, 2017.Punk Goes Pop DiscographyRetrieved from ’https://en.wikipedia.org/w/index.php?title=Punk_Goes_Pop_Vol._7&oldid=1006764164’
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